tag:blogger.com,1999:blog-4119918719087869579.post2597134594594833221..comments2023-11-03T05:44:29.722-07:00Comments on The Electric Semiquaver: The New Year - Topic Suggestions?Kenneth D. Froelichhttp://www.blogger.com/profile/12140430781961765944noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4119918719087869579.post-81644863956408490902010-03-17T10:59:41.469-07:002010-03-17T10:59:41.469-07:00Ken,
You always have such interesting titles, the...Ken,<br /><br />You always have such interesting titles, the kinds of titles that grab interest right away. I hate coming up with titles, having resorted to browsing a thesaurus to title a recent piece (which I still don't much care for). I know it doesn't have anything to do with notation software, but I wondered if you might have any thoughts on titles.Jessicahttps://www.blogger.com/profile/07461799334404862657noreply@blogger.comtag:blogger.com,1999:blog-4119918719087869579.post-31991253628909525562010-02-05T01:13:03.752-08:002010-02-05T01:13:03.752-08:00I am a young composer with two questions for the E...I am a young composer with two questions for the Electric Semiquaver:<br /><br />1. I am curious to know your ideas for how one could or should tackle the concept of semi-tones and non-tempered tunings when composing a piece in Finale or Sibelius.<br /><br />2. I am also interested to hear how you ultimately decide the page layout of a score and parts. Landscape or portrait? What paper size, standard or custom? Is a non-standard paper size worth the hassle in the end? Are the MOLA standards slowly going out of style in favor of easier 8.5x11 part sizes due to the computer notation software revolution?DVGhttps://www.blogger.com/profile/11897028009682463588noreply@blogger.com